cover, Gustav Schoenleber, Ponte dei Barettari, 1874 ... I have not seen, but the very impressive catalog (thanks, V!)
Venice pictures in the German art of the 19th
Century
See
Friedrich Nerly, San Giorgio Maggiore in the moonlight, 1850/55 in the City Gallery until March 6, Karlsruhe,
in the City Gallery in the indoor arena, Paderborn-Schloss Neuhaus of 2 April to 3 July.
Max Liebermann, Venetian alley to the right, 1878
The exhibition will be modified to show there was held in this place in 2008, a comprehensive presentation of the work Friedrich Nerlys in Paderborn the " portrait artists of Venice ", which is in the Karlsruhe exhibition provides a clearer focus.
The presentation runs from the illustrations, which then as now establish our image of Venice (Piazza, Doge's Palace, Canal Grande, S. Gio rgio, Salute, lagoon pieces, etc.) to detailed designs of individual buildings, campuses, churches, to sensitive subjects of people and architecture and photography to the early Venice, also a very exciting area.
There are images that still are unchanged (eg, Campo SS Zanipolo), which are now completely changed (for example, the Fondaco dei Turchi) but today it no longer exists (eg an old sailor lagoon) and lacks motifs that are now central, but at that time were still against poverty and filth is not an issue (for example, Torcello).
Paul von Ravenstein, Cloister of the Abbey of San Gregorio, in 1892
Images courtesy of Michael Imhof Verlag , catalog p. 44, 102, 1o4, title
.
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